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Hunter Gatherer watches the process of surviving for those who live off the land. More specifically, gathering for themselves, thus creating a direct relationship with the land. Humanity thrives off harvest, while some simply take from the land by cutting out the middleman (mass producers, super markets, food Inc.). The direct relationship hunter-gatherers have, is strengthened by growing up with, learning from, and protecting their property. This instills a respect; comprehension that cannot be grasped while picking over shelves of a supermarket. Reverence, gratitude and concern are feelings tied up with gathering ones own food.There is something sacred found in it.

My artwork engages with humans working alongside the land.The processes of preparing for the hunt; the hours spent scouting, practicing and the necessary extinguishing of life to live. Huntergatherers do not walk into a set of woods to shoot for pure sport. My father taught me that you go in with a plan; communicate with your group the details of the push and wildlife movements. Practice makes perfect, and a perfect shot will cause the least suffering to a kill. Do not be wasteful. My work addresses the methodical thought that goes into the hunt.

The use of muted colors to drain out what once was life preserves the image as closer to my memory. There is a timelessness in the deep woods; losing yourself among the countless trees and the sun drifting overhead. The hunt begins when you can see and ends when darkness overpowers observation. In some game lands you lose all reception to the modern world, becoming completely alone, yet more aware. My photographs refer to this specific emotional connection.

Wildlife is a harsh beauty; it’s wild, yet it can appear to be so fluid and calm. This softness is how I feel when I’m walking down a deer path, or sitting in some branches above a ravine. Feeling the wind wrap through the forest, only hearing bird chatter and then silence.